@article{10.11648/j.ajap.20241301.12,
  author = {Rolf Tiedemann},
  title = {The Women of Trachis Jealousy, Hatred and Revenge in Sophocles' Tragedy Intrafamilial Marriage and the Husbands' Widow's Wills the Famous Oracle},
  journal = {American Journal of Applied Psychology},
  volume = {13},
  number = {1},
  pages = {9-19},
  doi = {10.11648/j.ajap.20241301.12},
  url = {https://doi.org/10.11648/j.ajap.20241301.12},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajap.20241301.12},
  abstract = {In this tragedy by Sophocles, the real theme is the treatment of "prey women" and their influence on the psychological family situation and society in classical Athens. "The Women of Trachis" as well as "Oedipus Rex" and "Oedipus on Colonus" show what an enormously perceptive, in today's terms, psychologist and sociologist Sophocles was. In the fifth century BC, many wars were waged in Greece and prisoners were turned into slaves. Classical Greece thrived on slavery, which also included so-called prey woman. In The Women of Trachis Sophocles describes the jealousy of a wife, with the resulting actions, when the marriage is overstretched and the jealousy is increased through corresponding insults (over the decades). How hatred and revenge then gain the upper hand, ultimately leading to death. The intra-family marriage policy in Athens, which often leads to emotional and social unhappiness, is also a clear theme in the "Women of Trachis", long before Sophocles' two Oedipus tragedies. In his tragedies, Sophocles dealt with sociological themes and human suffering. The poets changed the mythology according to the requirements of their desired intention of the tragedy. The transformation of the myth consists in its integration into the polis and its new reference systems. The fact that the tragic poet sets the problems of his time in a past contributes to the possibility of the tragedy's reception. In the tragedies Oedipus Rex and Oedipus at Colonus, for example, a reference to the social reality in Athens at the time is assumed. The tragedies that were performed at the Dionysia (festival) are characterized by an interpenetration of present and past. Tragedies were organized as competitions, so that the poets had to take the audience's sensitivities into account. Classical philologists are often prevented from producing realistic text analyses and interpretations by idealizing and glorifying Greek tragedies and thus not taking into account the social customs and laws of the time. If we think, that the Greeks had no interest in such a psychological process as how a decision comes about, we are seriously mistaken and we do not do justice to the great, psychologically astute tragedians. Without a sociological, psychological and medical approach, applied to the tragedies that contain such themes in Sophocles and also Euripides in excellent execution, we will not do justice to these brilliant poets. We are left with interpretations without a sociological and psychological understanding of Greek classicism.
},
 year = {2024}
}

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TY  - JOUR
T1  - The Women of Trachis Jealousy, Hatred and Revenge in Sophocles' Tragedy Intrafamilial Marriage and the Husbands' Widow's Wills the Famous Oracle
AU  - Rolf Tiedemann
Y1  - 2024/02/21
PY  - 2024
N1  - https://doi.org/10.11648/j.ajap.20241301.12
DO  - 10.11648/j.ajap.20241301.12
T2  - American Journal of Applied Psychology
JF  - American Journal of Applied Psychology
JO  - American Journal of Applied Psychology
SP  - 9
EP  - 19
PB  - Science Publishing Group
SN  - 2328-5672
UR  - https://doi.org/10.11648/j.ajap.20241301.12
AB  - In this tragedy by Sophocles, the real theme is the treatment of "prey women" and their influence on the psychological family situation and society in classical Athens. "The Women of Trachis" as well as "Oedipus Rex" and "Oedipus on Colonus" show what an enormously perceptive, in today's terms, psychologist and sociologist Sophocles was. In the fifth century BC, many wars were waged in Greece and prisoners were turned into slaves. Classical Greece thrived on slavery, which also included so-called prey woman. In The Women of Trachis Sophocles describes the jealousy of a wife, with the resulting actions, when the marriage is overstretched and the jealousy is increased through corresponding insults (over the decades). How hatred and revenge then gain the upper hand, ultimately leading to death. The intra-family marriage policy in Athens, which often leads to emotional and social unhappiness, is also a clear theme in the "Women of Trachis", long before Sophocles' two Oedipus tragedies. In his tragedies, Sophocles dealt with sociological themes and human suffering. The poets changed the mythology according to the requirements of their desired intention of the tragedy. The transformation of the myth consists in its integration into the polis and its new reference systems. The fact that the tragic poet sets the problems of his time in a past contributes to the possibility of the tragedy's reception. In the tragedies Oedipus Rex and Oedipus at Colonus, for example, a reference to the social reality in Athens at the time is assumed. The tragedies that were performed at the Dionysia (festival) are characterized by an interpenetration of present and past. Tragedies were organized as competitions, so that the poets had to take the audience's sensitivities into account. Classical philologists are often prevented from producing realistic text analyses and interpretations by idealizing and glorifying Greek tragedies and thus not taking into account the social customs and laws of the time. If we think, that the Greeks had no interest in such a psychological process as how a decision comes about, we are seriously mistaken and we do not do justice to the great, psychologically astute tragedians. Without a sociological, psychological and medical approach, applied to the tragedies that contain such themes in Sophocles and also Euripides in excellent execution, we will not do justice to these brilliant poets. We are left with interpretations without a sociological and psychological understanding of Greek classicism.

VL  - 13
IS  - 1
ER  - 

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